The Pros Know

I just listened to the audiobook Million Dollar Professionalism for the Writer Million-Dollar-Pro500
by Kevin J. Anderson and Rebecca Moesta. Again. And I’m feeling an urge to reach out to all the new, new-ish, and aspiring writers I know. I want to tell them to pick this book up, and read or listen. And then do it again.

The first time through, I was occupied with things such as driving, not burning dinner, you know the drill. The second time I listened? I took notes.

Moesta (author, editor, and publisher) and Anderson (author of over 50 bestsellers) give straight talk about the real world of writing professionally. The book is liberally sprinkled with anecdotes, generally personal stories from the authors, often painfully at their own expense. They demonstrate how things can go terribly wrong in writing, in publishing, in personal interactions with others in your profession. And they advise how to avoid these hazards yourself. Topics range from personal presentation to making connections in the publishing world, how to handle professional and fan interactions, talent versus persistence, and other potential assets or pitfalls to the newcomer.

While Anderson and Moesta state that this information is largely the material assembled for a course they’ve taught repeatedly, it doesn’t come across as a classroom presentation. In fact, it reminds me of nothing so much as an involved conversation with respected industry pros: colleagues sharing stories over dinner, lingering over desert, swapping tales and giving advice to the newcomers.

Narrator Charles Kahlenberg’s avuncular reading furthers this feeling, making the book easy to listen to and absorb. Disclaimer: I received a review copy of this audiobook. But nobody made me stop halfway through the first listen and send Wordfire Press and Kevin J. Anderson a congratulatory note on their choice of narrators. Kahlenberg’s reading is expressive, conversational even. Yet it doesn’t detract from the important material the book is sharing.

I was impressed by the subtle positive messages of encouragement the authors included. There’s a danger when seasoned pros give “advice.” I know, I’ve fallen prey in the past to glib warnings, pronouncements of criteria for success. Pronouncements that made possibilities seem so unattainable that they were discouraging, rather than helpful. But Anderson and Moesta don’t do that. Instead, there is an assumption that OF COURSE you’re a writer. Of course you belong at the table with them, listening to the stories. Here’s what you do when the opportunities become available, when the anthology calls, when the publisher says yes. When you’re a guest at the convention. And at the award ceremony.

This implied success is contagious! And it’s attributed where it belongs: to the writer being professional, to getting the work done, to loving their job but respecting it too.

Million Dollar Professionalism for the Writer: highly recommended for the new, new-ish, or aspiring writer, or other creative professional who might be looking to jumpstart their career. To read now, and revisit.

 

 

STORYBUNDLE LIVE!

9561D84E-7F09-4667-A95C-8760A7B5FBC3Got a text from my friend Kirsten: “Picked up your Storybundle. This is a great deal!”

Kirsten’s a reader after my own heart. Voluminous, wide-ranging. It can be hard to keep up with our hunger for new worlds, new ideas. New adventures!

Kevin J. Anderson has helped fuel our bookish dreams with a new Storybundle of a dozen adventure SF books. Heads up: this bundle only runs for three weeks from August 29 through September 19. 

The bundle includes Anderson’s newly released collection, Selected Stories: Science Fiction Volume 1, (including his first piece of published science fiction, from back when Kevin was only 12!). You also get the Fiction River anthology Superpowers edited by Rebecca Moesta, and the new anthology Bridge Across the Stars, edited by Rhett Bruno.

The nine novels in this bundle range from wild adventure SF (Nobless Oblige by Uri Kurlianchik, Shadow of Ruin by Quincy J. Allen featuring Colt the Outlander from Heavy Metal magazine, created by the Aradio Brothers, and Steampunk Banditos, the new Felix Gomez novel by Mario Acevedo), to edgy thought-provoking science fiction (Albatross by R.A. MacAvoy and Yours Truly, and Crecheling by D.J. Butler), disaster black-hole thriller Singularity by Bill deSmedt, and solid, compelling science fiction The Soul Eater by Mike Resnick, The Application of Hope by Kristine Kathryn Rusch, and Dry Creek Crossing by Dean Wesley Smith. Books enough to keep even Kirsten reading for a while.

With Storybundle, you name your own price, minimum of $5 for the base level of five titles, or $15 minimum for the full dozen.  And, what makes me most particularly happy: a portion goes to support Challenger Center for Space Science Education!

I am proud to support Challenger Center in making great science education materials available to teachers and students. And you can support space education, too, while joining Kirsten, me, and likeminded readers in ending summer with big adventures!

Follow this link for more info, or to get this Storybundle now! 

Versions

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Dreary. Excellent word choice this morning. I was going to reward myself for diligent work with a visit to the Farmer’s Market. Indulgence postponed on account of cold rain.

Happy to receive a message from Bertie MacAvoy in the wee hours today. She got the SHIMMER version with Developmental Editing revisions that I sent to her last night. Yay!

She hasn’t opened it yet. I’m not quite in the clear. But probably okay.

Awnna Evans, our Wordfire Press editor, was such an invested and thorough reader! She  sent us very useful editing notes. Bertie did the heavy lifting on these revisions, while I was enveloped in Big Life Things. I did my turn at editing thankfully, falling back into the story as a small respite from the outer world. And perhaps as a way of processing, understanding, and finding ways to deal with the larger situations surrounding life right now.

We’re so very careful at this stage, nearing completion, passing the “Master Document” back and forth. Versions are SO IMPORTANT. The book shifts, changes form under our hands. And words matter to us. So very much. Word choices are examined, talked about, chosen or discarded: little things that a reader will likely never notice, but which carry nuance to subtly influence a scene. If you’re not a writer, and wonder how this works, here’s an example: in the sentence above, I originally wrote “choices are looked at.” But “examined” is so much more accurate to the actual process. And then I wonder if I should drop the passive voice, and say “we examine word choices” instead. But I want the sentence emphasis to be on WORD CHOICE, not on the writers. So I leave it in the passive form.

And this is in a blog post. Without Bertie’s opinion to counter. So you can imagine how complex editing an entire BOOK is.

(Not everybody edits like this. Robert Heinlein would be rolling his eyes. Fortunately, I don’t require his good opinion. And he’s in no position to voice an opinion on Shimmer anyway.)

Love and care go into these changes. It’s quite upsetting to discover that your work has been done on an old version, and has to be re-done! Neither Bertie nor I have so much time and energy at hand that we care to waste it. So we are very careful with our versions.

We are nearing the final version of Shimmer. Line edits yet to do. I’m so ready to release this book!

*Note to aspiring writers: this fine-tuning is coming during the pre-publication editing process, at the behest of the editor. If you edit your document like this, to publication standard, on your own before submitting it? You may never actually finish your book. Beware falling into the trap of perpetually re-writing before getting outside input. Those fresh eyes are important, as much for telling you when to stop as for anything else. Kevin J. Anderson over at WordFire Press has some useful thoughts on this.