Happy as a Cat in a Box

IMG_7010Here’s Kyle on my desk, joining me in listening to the final chapters of the Albatross audiobook. Kyle APPEARS drowsy, but he is in fact purring busily.

As am I. Breaking open a bottle of elderflower and rose lemonade to celebrate! I’m so pleased with the way this project turned out. I hope to announce its availability for you soon.

Meanwhile, Kyle and I already have the first chapters of SHIMMER waiting for us to hear. Time to break out the catnip!

I’ve been sick recently, and minus the use of my right hand and arm. And we all know what pain and meds can do to you. However, I HAVE managed to do some reading of classics (Prisoner of Zenda…thank you, Project Gutenberg!) and some more contemporary books and stories. Watch for reviews coming soon.

And also maybe some photos of my new glove collection. Or maybe photos of Kyle with my glove collection. (Yes, he found that box too. But one cat photo per post, yes?)

 

 

 

A Voice Fills the Air

pexels-photo-185030.jpegOne of the best parts of my day: opening the digital file and listening to the sonorous voice of the Reader working his way through Albatross.

His audition recording impressed me very much. But I’m usually reading books rather than listening to them. So I did a simple market test, and checked in with a few friends who are audiobook people. John, who first asked me about getting Albatross  in audio, seemed a good place to start. I popped in on John while he was working, and played a clip.

Me: What do you think?

John: You need to hire that man RIGHT NOW.

The others who heard the sample had a similar response, and Bertie was herself delighted. So we did extend an offer, and he signed on. The chapters I’ve heard so far are really solid. I can hardly wait for you to hear them! I’ll post links as soon as the audiobook is available. And more on the man himself once the project’s wrapped.

ALBATROSS in Print!

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This book is now available in print, as well as digital format. I’m old enough that this makes it seem somehow more real. It sits here on my hearth, soft and solid against the warm brick. An artifact of sorts, documentation of these days. A story of the near future, that is in some ways an attempt on the part of the authors to find their way through a troubled time.

This is the book we needed to write. We’ve have been told by a reader that it’s the story they needed to read. And so Bertie and I, and the good folks over at WordFire, are quietly launching Albatross into the world.

Wishing you all peace, a warm cup of tea, and a quiet spot for reading.

— Nancy Palmer

Parkland Florida, November 2017

Turning a Page

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I, like this fairy, read when I’m broken. It’s a good strategy for surviving.

Spring has run its course, rung its changes. Turned into Summer while I was busy looking elsewhere. I don’t know precisely when this little garden sculpture fractured, but I look at its face and find a kindred feeling, and so I keep the little fairy. Momento of a season of transitions.

Summer is starting kindlier. SHIMMER line edits have arrived! Awnna, our editor, has had her time with the pages, and now Bertie and I hold them close one last time before sending them out into the world. It’s hard to let them go, to stop re-visioning the story. But it’s time, and past time, and there are other stories clamoring. So today and tonight and tomorrow, I’m putting some final hours in. Then turning a metaphorical and literal page.

I had telephone call a couple of days ago. Someone I know had been telling another about ALBATROSS, and they’d gone looking for it, and been unable to find it. THANK YOU for the word of mouth, and sharing news of the story! I was very happy to tell them (and I’ll repeat it here, in case you missed it!) that ALBATROSS should be available in June from WordFire Press. And I’ll be posting a link when it’s available.

And now, with line edits in hand, I can confidently say that sequel SHIMMER will be available this Autumn. I’ll check in with you soon. For now, I’m off to lose myself in the story one final time.

In the Wee Hours

A character has been sitting with me in the wee hours. At this time, the hours hung between night and day, my daily preoccupations haven’t yet caught up. The barriers of “should do” aren’t up, and these presences can cross over and make themselves known. At least that’s what it feels like. Annie is showing me her story, and I’m trying to get out of the way and let the words come.

The world is waking. A bluejay is claiming my back yard. The warblers in the palm trees and hedges have their own claims to the space, and the water hanging in the air wraps us all and scoffs at our ideas of space and ownership. It’s difficult to avoid “the pathetic fallacy” when the place is so blatantly itself.

Versions

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Dreary. Excellent word choice this morning. I was going to reward myself for diligent work with a visit to the Farmer’s Market. Indulgence postponed on account of cold rain.

Happy to receive a message from Bertie MacAvoy in the wee hours today. She got the SHIMMER version with Developmental Editing revisions that I sent to her last night. Yay!

She hasn’t opened it yet. I’m not quite in the clear. But probably okay.

Awnna Evans, our Wordfire Press editor, was such an invested and thorough reader! She  sent us very useful editing notes. Bertie did the heavy lifting on these revisions, while I was enveloped in Big Life Things. I did my turn at editing thankfully, falling back into the story as a small respite from the outer world. And perhaps as a way of processing, understanding, and finding ways to deal with the larger situations surrounding life right now.

We’re so very careful at this stage, nearing completion, passing the “Master Document” back and forth. Versions are SO IMPORTANT. The book shifts, changes form under our hands. And words matter to us. So very much. Word choices are examined, talked about, chosen or discarded: little things that a reader will likely never notice, but which carry nuance to subtly influence a scene. If you’re not a writer, and wonder how this works, here’s an example: in the sentence above, I originally wrote “choices are looked at.” But “examined” is so much more accurate to the actual process. And then I wonder if I should drop the passive voice, and say “we examine word choices” instead. But I want the sentence emphasis to be on WORD CHOICE, not on the writers. So I leave it in the passive form.

And this is in a blog post. Without Bertie’s opinion to counter. So you can imagine how complex editing an entire BOOK is.

(Not everybody edits like this. Robert Heinlein would be rolling his eyes. Fortunately, I don’t require his good opinion. And he’s in no position to voice an opinion on Shimmer anyway.)

Love and care go into these changes. It’s quite upsetting to discover that your work has been done on an old version, and has to be re-done! Neither Bertie nor I have so much time and energy at hand that we care to waste it. So we are very careful with our versions.

We are nearing the final version of Shimmer. Line edits yet to do. I’m so ready to release this book!

*Note to aspiring writers: this fine-tuning is coming during the pre-publication editing process, at the behest of the editor. If you edit your document like this, to publication standard, on your own before submitting it? You may never actually finish your book. Beware falling into the trap of perpetually re-writing before getting outside input. Those fresh eyes are important, as much for telling you when to stop as for anything else. Kevin J. Anderson over at WordFire Press has some useful thoughts on this.