Long Hand

Dear Muse,

I am so drawn to write to you a long letter in my volatile hand, a letter that meanders and plaints about writing and my inability to express my thoughts and the quixotic workings of my brain. But what is the point? I can’t mail it; you’ll never receive it; knowing these things I become self-conscious and step even further away from any ability to express myself. I am quietly jealous of those writers who know or c;aim to know what writing must or should be for at the very least, themselves, to qualify as ‘good” or ‘worth writing’ or even honest.

Me, all I know is that I am often lost in the wild woods. And sometimes glad to be there.

Monkeys and Such

Your Inner Critic, Like A Pet Marmoset, is Waiting to Throw Poo on You

I’ve been feeling a Great Urgency (yes, capitals are required) to get the next book done as soon as possible. The reason is personal, and not the subject of this post. I’m actually just venting a little bit about my Inner Critic, that internal voice I was trained intothat tells me I’m inadequate to the task.

Danny Gregory, on his blog today, gives ample evidence of his own inner critic in evidence. (He’s trained a lot of us to call it The Monkey. The name works. Particularly if, unlike me, you can avoid imagining Mickey Dolenz.)

Point is, Danny has helped SO MANY people reclaim their creative selves, or make it through the hardest times of their lives, or … like yours truly … believe that we deserve to say yes instead of no to opportunities. If he’d listened to his monkey, fed it and wallowed in the monkey’s “but it’s not perfect!” excrement, instead of working on anyway, so many lives would be bleaker for it.

Which reminds me that someone, somewhere, may need my creation too.

So while my own personal Inner Critic has, with the help if Danny and my other creative tribemembers, been downsized from Gorilla (I know, not a monkey) to marmoset, I’m still going to leave the Marmoset Chow in the shelf and keep working.

The Telling Detail

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We have new family members.

Some of my new works contain mice. Mice are Essential. I don’t have much real-world experience with mice, and it seemed wrong to draw them and write about them (or their analogs) without knowing them. So I adopted a pair of sisters who are, at this moment, sleeping in a nest they built themselves. Did you know that a Playstation 4 comes with cardboard in the packaging that converts to fabulous mouse housing? You do now.

See? Research rocks! Just this second-hand exposure to mice has taught you something, too. While I won’t advocate immersion learning for everything you may write about, there’s something to be said for deep and immediate understanding. But it comes with a cost. I’ve cared for many other small animals in my time so I had some idea of what I’m in for. I did my mouse-specific research, and was prepared to make up to a three year commitment before I adopted these mice. I’m buying their food, bedding, and (because I want them to live their best lives) three cages of increasingly large size. Right now, they’re in a 40 gallon long glass breeder aquarium with a screened top. And I decided beforehand how much *smell* I could deal with, and figured out how to keep them safe from my cat. But you don’t have to go this far in your research.

Second-hand info can be fantastic! People are generally thrilled to be talking about what they love, so don’t be afraid to ask politely. Your genuine interest will show. And if you ask deep questions, they may share the telling detail: something that conveys a depth of understanding or immediate experience. Then you can convert their knowledge into your character’s knowledge, using that detail to create a believable reality for your reader.

Back to mice: such joyful little creatures. They love to explore, and are curious about any new thing in their habitat. Bonus: I’ve learned that a mouse’s tiny forepaws feel like eyelashes flickering across your hand. Such a lovely thing.

Want a writing exercise?
Susan has moved to a new city. She enjoys gaming. She is lonely, so she adopts some mice. Use the info I’ve given you about mice and create a quick scene of Susan unpacking and giving the mice the carton inserts. Note for new writers: you don’t have to say she enjoys gaming. Just show her unpacking the PS4 and some games. Feel free to post in the comments if you feel like sharing. Posts in which Susan also has a pet snake, featuring an unfortunate outcome for the mice, will be deleted. 😉

ALBATROSS in Print!

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This book is now available in print, as well as digital format. I’m old enough that this makes it seem somehow more real. It sits here on my hearth, soft and solid against the warm brick. An artifact of sorts, documentation of these days. A story of the near future, that is in some ways an attempt on the part of the authors to find their way through a troubled time.

This is the book we needed to write. We’ve have been told by a reader that it’s the story they needed to read. And so Bertie and I, and the good folks over at WordFire, are quietly launching Albatross into the world.

Wishing you all peace, a warm cup of tea, and a quiet spot for reading.

— Nancy Palmer

Parkland Florida, November 2017

Tea and SomeEditsy

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After editing, maybe I’ll have time to polish my kettle.

Greetings from the Land of Eternal Edits! ALBATROSS has had its release date pushed back for Complicated Publisher Reasons. A by-product of this extra time means that Bertie and I get to do a FINAL (this-time-really-for-true) final edit.

Of course, this ms has been so thoroughly edited that there are ZERO changes to be made…right? HA! Of course there are changes to be made! There’s always something that slips past the writers, editors, and beta readers. (Rather like searching for fleas on my very floofy dog. And similarly uncomfortable.)

This calls for tea. (And maybe, since I’m still recovering from July’s auto accident, a standing desk.)

But it’s been a while since I sat with ALBATROSS. More recent work (and a big hunk of steel at mumbletymumble MPH) had rather nudged it from the forefront of my mind. And I confess: I’m rather enjoying my time with Dr. Rob MacAulay. And Thomas Heddiman. I’m looking forward to this book being in the world.

ALBATROSS now set to release in November, with SHIMMER to come out in December.

Turning a Page

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I, like this fairy, read when I’m broken. It’s a good strategy for surviving.

Spring has run its course, rung its changes. Turned into Summer while I was busy looking elsewhere. I don’t know precisely when this little garden sculpture fractured, but I look at its face and find a kindred feeling, and so I keep the little fairy. Momento of a season of transitions.

Summer is starting kindlier. SHIMMER line edits have arrived! Awnna, our editor, has had her time with the pages, and now Bertie and I hold them close one last time before sending them out into the world. It’s hard to let them go, to stop re-visioning the story. But it’s time, and past time, and there are other stories clamoring. So today and tonight and tomorrow, I’m putting some final hours in. Then turning a metaphorical and literal page.

I had telephone call a couple of days ago. Someone I know had been telling another about ALBATROSS, and they’d gone looking for it, and been unable to find it. THANK YOU for the word of mouth, and sharing news of the story! I was very happy to tell them (and I’ll repeat it here, in case you missed it!) that ALBATROSS should be available in June from WordFire Press. And I’ll be posting a link when it’s available.

And now, with line edits in hand, I can confidently say that sequel SHIMMER will be available this Autumn. I’ll check in with you soon. For now, I’m off to lose myself in the story one final time.

Versions

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Dreary. Excellent word choice this morning. I was going to reward myself for diligent work with a visit to the Farmer’s Market. Indulgence postponed on account of cold rain.

Happy to receive a message from Bertie MacAvoy in the wee hours today. She got the SHIMMER version with Developmental Editing revisions that I sent to her last night. Yay!

She hasn’t opened it yet. I’m not quite in the clear. But probably okay.

Awnna Evans, our Wordfire Press editor, was such an invested and thorough reader! She  sent us very useful editing notes. Bertie did the heavy lifting on these revisions, while I was enveloped in Big Life Things. I did my turn at editing thankfully, falling back into the story as a small respite from the outer world. And perhaps as a way of processing, understanding, and finding ways to deal with the larger situations surrounding life right now.

We’re so very careful at this stage, nearing completion, passing the “Master Document” back and forth. Versions are SO IMPORTANT. The book shifts, changes form under our hands. And words matter to us. So very much. Word choices are examined, talked about, chosen or discarded: little things that a reader will likely never notice, but which carry nuance to subtly influence a scene. If you’re not a writer, and wonder how this works, here’s an example: in the sentence above, I originally wrote “choices are looked at.” But “examined” is so much more accurate to the actual process. And then I wonder if I should drop the passive voice, and say “we examine word choices” instead. But I want the sentence emphasis to be on WORD CHOICE, not on the writers. So I leave it in the passive form.

And this is in a blog post. Without Bertie’s opinion to counter. So you can imagine how complex editing an entire BOOK is.

(Not everybody edits like this. Robert Heinlein would be rolling his eyes. Fortunately, I don’t require his good opinion. And he’s in no position to voice an opinion on Shimmer anyway.)

Love and care go into these changes. It’s quite upsetting to discover that your work has been done on an old version, and has to be re-done! Neither Bertie nor I have so much time and energy at hand that we care to waste it. So we are very careful with our versions.

We are nearing the final version of Shimmer. Line edits yet to do. I’m so ready to release this book!

*Note to aspiring writers: this fine-tuning is coming during the pre-publication editing process, at the behest of the editor. If you edit your document like this, to publication standard, on your own before submitting it? You may never actually finish your book. Beware falling into the trap of perpetually re-writing before getting outside input. Those fresh eyes are important, as much for telling you when to stop as for anything else. Kevin J. Anderson over at WordFire Press has some useful thoughts on this. 

Edits for Breakfast

I did my very first Facebook Live video yesterday! It’s a flip-through of my Naughty Fairies Adult Coloring Book Cleaned Up for Company and it is replete with shaky camera, fast talking, and all the other newbie bits! But it’s me being vulnerable and being myself. People seemed to like it. You can see it here.

In other news, I went to bed early and awoke to find Shimmer edits back from our editor in my inbox! So I’ll be having edits for breakfast. Perhaps I’ll take my laptop and sit under the newly-blooming peach tree out back.  A cup of tea, a notepad, and a sequel. Good way to start the day.

I’m looking forward to a flurry of emails back and forth with Bertie as we discuss and compare and suggest over manuscript tweaks. I’ve missed our daily back-and-forth. Collaboration has its challenges, but I do love that woman and her unique, quizzical mind. She’s a fantastic storyteller. I’ve been so privileged to work with her; she has challenged me and encouraged me and I’m a better writer myself for it. Plus: writing, drawing . . . these can be lonely things. I’d gotten used to having a long-distance companion. I’ve purely missed her daily presence in my life. So edits: yay!

And I’m quite eager to get Shimmer on to its next phase. I have this looming sense that this particular story, with its seeds of hope, wants to be out in the world.